"Perhaps, Perhaps, Perhaps," by Doris Day (1965). The scene creates some contrast between the two characters - where Estella is in love with fashion, the Baroness seems to be in love with power and status. The lush "easy listening" music of 1940s makes a surprise appearance in Cruella as the Baroness takes credit for a dress designed and created by Estella. "Love Is Like A Violin," by Ken Dodd (1960). An old-fashioned Cole Porter crooner brings some humor to the literal dirty work Jasper and Horace are doing as they swing a metal detector over dog poop. Having discovered that the Baroness murdered her mother, Cruella is going slightly mad. The frenetic pace and lunatic lyrics of "Stone Cold Crazy" are an obvious match for Cruella's state of mind as she speeds away from the Baroness' party. Related: All The Live-Action Disney Remakes In Development Orchestral string music gives way to soft rock in ELO's hit single, matching the complete chaos that descends on the Baroness' ball when Horace crashes into a cake and rats are let loose. "Livin' Thing," by the Electric Light Orchestra (1976). I'm the wild one," play as Cruella makes her entrance at the Baroness' ball. The song's apropos lyrics, "You can't hold me down. Quatro's feminist anthem is the first song in the movie to embrace the 1970s punk rock movement - when much of the movie is set - so it's appropriate that it acts as an introduction for the villainous Cruella, who eventually becomes a punk icon in her own right. "Whole Lotta Love," by Ike & Tina Turner (1975). What better to kick off the first action scene of the movie than a bluesy rock hit from the early days of The Animals? "Inside Looking Out" has a relentless beat that kicks in as Estella starts wreaking havoc at the Baroness von Hellman's ball, and keeps driving forward as the infamous Dalmations break free for a chase. Eric Burdon's vocals slide easily from bass to soprano, creating a wild feel culminating in Catherine's death. "Inside-Looking Out," by The Animals (1966). The progressive rock song - picked from what is widely considered the best Bee Gees album of the 1960s - plays as Estella's mother, Catherine, pulls her car up to a mansion where she hopes to get financial assistance. "Whisper Whisper," by the Bee Gees (1969). You say 'It all depends on money and who is in your family tree.'" Estella, like many artists and musicians of the time, chafed against the strict British school system, instead embracing her wild nature. Estella's rebellious attitude is reflected in the opening lyrics of the song, " So you think your schooling is phoney, I guess it's hard not to agree. The steady backbeat of Supertramp's "Bloody Well Right" plays during a montage of Estella's early years at primary school, a.k.a. Cruella opens with a classic anti-establishment hit plucked straight from 1970s London. "Bloody Well Right," by Supertramp (1974). It's all inescapably English, and, more than that, inescapably the music of London plucked from the height of the British rock'n'roll movement – the perfect underscore for Estella Miller's transformation into Cruella de Vil. Also on the soundtrack are some of the British Invasion's major hits from famous bands such as The Zombies, The Rolling Stones, and The Animals. ![]() The soundtrack is able to create a strong sense of time and place, despite (or because of) its variety – centering around British beat music of the 1960s for which The Beatles are known. ![]() ![]() More than 30 sings released throughout the 1960s and '70s feature in Cruella, and they range from classic funk to feminist power ballads. ![]() Related: Cruella Ending & 101 Dalmatians Setup Explained As she comes to flex her artistic genius over the course of the movie, she embarks on a mission of revenge, challenging the establishment and the Baroness. The music backing Estella's transformation is the '70s punk that laid the foundation for heavy metal and grunge. The movie finds its setting during the 1970s punk rock movement in London, and Cruella finds her footing in the city as an aspiring fashion designer who is at war with Britain's upper class – and, in particular, with Emma Thompson's Baroness von Hellman, an established designer who shares a history with Cruella's family. Acting as a prequel to the classic animated 101 Dalmations, Cruella shows the childhood of Estella, a precocious girl who has a liking for dogs, and how she grows up to become the icon of the title.
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